I Spy

  Copyright

  HarperCollinsPublishers Ltd

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  First published in Great Britain by HarperCollinsPublishers Ltd 2019

  Copyright © Claire Kendal 2019

  Cover design by Claire Ward © HarperCollinsPublishers Ltd 2019

  Cover photograph © John Cooper/Arcangel Images

  Claire Kendal asserts the moral right to be identified as the author of this work.

  A catalogue copy of this book is available from the British Library.

  This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Source ISBN: 9780008256838

  Ebook Edition © August 2019 ISBN: 9780008256852

  Version: 2019-05-23

  Dedication

  For my brother Robert

  Contents

  * * *

  Cover

  Title Page

  Copyright

  Dedication

  Epigraph

  Prologue An Interview

  Now A Discovery

  Then Black Star Sapphire

  Now The Girl with the Two-Coloured Eye

  Then Human Asset

  Now The Two Tunnels

  Then The Plague Pit

  Now The Backwards House

  Then The Forgotten Things

  Now The Woman in the Room

  Then A Quarrel

  Now The Excursion

  Then Provocations

  Now Further Warnings

  Then Eavesdropping

  Now Persistence

  Then Concealment

  Now The Robin

  Then Startling Intelligence

  Now The Visit

  Then A Meeting

  Now An Assault

  Then April Fool

  Now An Ambush

  Then The Handkerchief Tree

  Now The Doors With No Knobs

  Then A Misadventure

  Now A Misdemeanour

  Then The Studio

  Now Further Intelligence

  Then The Spin Out

  Now Illegal Entry

  Then The Memory Box

  Now The Choice

  Then The Drowning Place

  Now Thorpe Hall

  Now The Miniature

  Now The Present

  Keep Reading …

  Acknowledgements

  For those affected by the issues in this novel

  About the Author

  Also by Claire Kendal

  About the Publisher

  Epigraph

  ‘You have almost completed your painting,’ said I, approaching to observe it more closely, and surveying it with a greater degree of admiration and delight than I cared to express. ‘A few more touches in the foreground will finish it I should think.—But why have you called it Fernley Manor, Cumberland, instead of Wildfell Hall, —shire?’ I asked, alluding to the name she had traced in small characters at the bottom of the canvass.

  But immediately I was sensible of having committed an act of impertinence in so doing; for she coloured and hesitated; but after a moment’s pause, with a kind of desperate frankness, she replied,—

  ‘Because I have friends—acquaintances at least—in the world, from whom I desire my present abode to be concealed; and as they might see the picture, and might possibly recognize the style in spite of the false initials I have put in the corner, I take the precaution to give a false name to the place also, in order to put them on a wrong scent, if they should attempt to trace me out by it.’

  Anne Brontë,

  The Tenant of Wildfell Hall,

  Chapter V, ‘The Studio’

  Prologue An Interview

  London, April 2013

  The clear glass table meant that I had to work extra hard to stop my knee from jerking up and down. It was not a time to show nervousness. Maxine was on one side of the table. I was on the other.

  ‘You are twenty-one, Holly. Correct?’ She started simply, but her use of my first name was a warning. She had only ever called me by my surname.

  ‘Correct.’

  ‘Do you have many friends?’

  ‘A few good ones.’

  She nodded. I had never seen her nod before. Nodding is a gesture that suggests interest, and that wasn’t something she normally allowed herself to show.

  ‘It’s good to be selective.’ She smiled. I hadn’t seen her do that before either.

  ‘I’m glad you think so.’

  ‘And your grandmother raised you?’

  ‘Yes.’

  ‘That’s sad about your parents. What a thing to happen.’

  ‘It was a long time ago.’

  ‘You were two?’

  She’d got it wrong on purpose. I was certain of it. ‘Three.’ Was I right to correct her? Should I have let it go? What was the best response? I needed to quit second-guessing what she wanted to hear and just say what was true.

  ‘It was a car crash?’ Maxine didn’t have any notes. She didn’t need any notes. She was in command of my ‘facts’ without having to write them down.

  ‘Yes.’ It was crucial to keep it brief.

  ‘I apologise for the personal nature of some of the questions I have to ask you.’ Had she really used the word ‘apologise’? Maxine?

  The lights in the room were unnaturally bright. The wall behind me was extremely white. But the wall behind Maxine, which I was facing, was a mirror of glass. It was a safe bet that it was one-way glass, and my performance was being assessed from the other side of it, in a darkened room. I imagined Maxine’s boss, Martin, behind the glass, enjoying the peep show but appearing bored.

  ‘You’ve known the Hargrave family for how long?’

  ‘Since I was four. Most of my life.’ I felt my lips trembling. My body was not under my control. I was losing it. Why did this woman scare me so much?

  ‘Tell me about them.’ Maxine settled in her chair, ready to be entertained.

  ‘Peggy is the mother, James is the father. They have a daughter.’

  There was that smile again. The indulgent kind you give to a difficult child. ‘And the daughter has a name, I presume?’

  ‘Sorry. Yes. Milly.’ Maxine knew this already, despite the pretence. I’d given permission for them to interview friends and family. I’d had to, though there weren’t many. Peggy, James, and Milly. My list of three, because my grandmother hardly knew what day of the week she was living any more.

  ‘You and Milly are very close, aren’t you? Best friends, as they say.’

  ‘I’d never tell her’ – I flapped around for the right phrase – ‘anything I shouldn’t.’

  ‘Of course you wouldn’t. Milly’s family moved next door when you were four?’

  ‘Yes.’ Elaboration was not my friend.

  I reminded myself that these were the easy questions. The seemingly innocuous warm-up questions to lull me into the false sense of security that would get me to mess up and reveal every vulnerability I’d ever had. My stomach knotted, and I tried not to let myself panic about what might be coming.

>   ‘And you moved in when?’

  ‘I was born in that house. My grandmother moved in to look after me when my parents died. Milly’s family bought the house next door just before the two of us started school – she and I are the same age.’

  ‘Your grandmother was quite old when she became your guardian, wasn’t she?’

  ‘Yes.’

  Maxine smiled again, and I shivered so hard it must have been visible on the other side of the one-way glass. ‘That can’t have been much fun for a small child.’

  I tried to think of what to say to this, but I took too long, so Maxine went on. ‘You are close to Milly’s mother? Peggy, you said?’

  ‘Yes.’

  ‘Peggy must have seen you as a poor little neglected orphan.’ Maxine was a combination of effortful glamour and mess. Her hair was bottle-blonde but lank. Pieces of different lengths hung in front of her face, as if she’d hacked at them herself.

  ‘I think she probably did, yes.’

  ‘Tell me more, Holly.’ That jagged curtain of hair was one of Maxine’s tactics for hiding, though I managed a glimpse of hooded eyes that were grey that day but could easily be changed with contact lenses.

  ‘I think Peggy wanted – she still wants – to protect me. To mother me, even.’ I was saying too much when I needed to be spare in my answers. Part of what Maxine was testing was that I could be reserved, even under pressure.

  ‘And Peggy’s husband is around – James Hargrave. What is he like?’ Maxine pushed her hair behind her ears. Not a Maxine gesture. Her mascara and eyeliner were heavy. She had gone for her usual indigo. No ordinary black for her. The foundation was caked on. Maxine was a woman of many faces.

  ‘He runs the town pharmacy.’

  ‘And?’

  ‘James is very kind, but he doesn’t say much.’

  I didn’t explain that it was as if Peggy had such a lot to say there was nothing left for James – and they both seemed to like it that way.

  ‘Very kind? That’s mild. You aren’t damning by faint praise?’

  ‘There is a lot to be said for real kindness.’ As soon as the words were out, I wanted to take them back – she was going to think I was judging her, that I was rebuking her.

  ‘I agree,’ she said, but this didn’t make me relax. ‘And your grandmother is fond of the Hargrave family? As fond as you clearly are?’

  ‘My grandmother hates pretty much everybody.’

  Maxine laughed, something I hadn’t seen her do even once during the residential phase of the recruitment process, which she was leading. Along with the other aspiring intelligence officers, I watched Maxine as if she were a superstar.

  ‘But she worships James,’ I said.

  ‘You are admirably loyal, Holly, aren’t you? Am I correct in thinking that you gave up your place at Exeter University to look after your grandmother? You were going to read Modern Languages?’

  ‘I couldn’t leave my grandmother alone. I’d been trying to delay putting her in a nursing home, so I enrolled on a BA in English at Falmouth instead of the Exeter course – I can commute to Falmouth pretty easily from our house. I’m due to graduate this summer.’

  ‘You’re predicted a first.’

  ‘Yes. And I took every evening course they offered in French, Spanish, and German, to try to compensate for not being able to do Modern Languages. I’m fluent in all three – I studied them in school too.’

  ‘You got As for all three at A level, and an A in English Literature. Correct?’

  ‘Yes. And I can get by in Italian. I’ve been working towards a career in the Security Service for as long as I can remember.’

  I had been obsessed with spies since I was a very little girl. My grandmother told me that my father used to play ‘I Spy’ with me, using the game to show me the world. I liked to imagine him in his blue-grey RAF uniform, pointing into the night, where he would soon be flying.

  I Spy with my little eye, something far up in the sky …

  … Moon.

  When I was five, I tiptoed into the sitting room and hid behind my grandmother’s brown-velvet wingback chair to peek at a film she was watching. I sat, cross-legged, on her scratchy brown carpet, so perfectly still and quiet she never knew I was there. To this day I don’t know what the film was called. Only that it was about a spy who pretended to his family he was a boring businessman. Then, a bad spy injected him with truth serum, and this made him confess to his wife about his double life as an intelligence officer.

  With the reasoning of a five-year-old, I decided to make my own truth serum and administer it to my grandmother, using the best available laboratory facilities. While she was cooking dinner, I sneaked into her bedroom and scooped out tiny spoonfuls of the lotions and scents on her dressing table, then stirred them into the moisturising cream she rubbed onto her face each night. My fantasy was that the serum would force my grandmother into revealing the secrets I was certain she was keeping about my parents.

  When I was ready to begin the interrogation, I noticed that she had a bright-red and extremely bumpy rash on her cheeks. She never imagined the cause, and I crept back into her room to steal the cream away and dispose of it at the bottom of the kitchen rubbish so she would never use it again. I was frightened that I’d mortally injured her, but she seemed to recover quickly.

  On my eighth birthday, Harriet the Spy appeared in my Christmas stocking, and Harriet became my absolute hero. She carried her spy notebook everywhere, so I did too, writing little observations about everything I saw. I made things up as well. It was only later that I learned that spies were supposed to keep to what was true, and were trained to be cautious about what they put on paper – two principles I wasn’t very good at heeding.

  ‘I can see that you have been commendably strategic and goal-driven in wanting to join us.’ Maxine gave me another of those intimate nods. ‘But in this line of work, how far would you push it? You’re very attractive.’ Despite the appeasing gestures, Maxine shifted the subject with the suddenness of a window exploding in a storm. ‘You know that.’

  I blinked at this new Maxine. She was being kind but firm, friendly but still clearly the one with the power.

  She pushed at me again. ‘Where does the line come, Holly?’

  I realised I was biting the side of my lower lip, a sign of the anxiety I wanted to hide. ‘Emotional. Emotional involvement. That’s the line I wouldn’t cross.’

  Maxine was in full-friend mode, pretending that the two of us were just ordinary women exchanging confidences. ‘So as long as it isn’t emotional …’ her voice was gentle, understanding ‘… physical involvement is okay – to – a – point.’ She tapped the table’s bevelled edge with her index finger, picking it up and setting it down again a few centimetres further along with her last three words, as if counting.

  ‘Are you asking – if I would sleep with someone for the role?’ I imagined Martin on the other side of the one-way glass, controlling any impulse to sit up straighter or open his mouth wide. He wouldn’t react at all.

  ‘Now that you mention it.’

  I thought I was saying the right thing, but I pictured Martin, no longer able to disguise his interest, sticking his feet out and crossing them at the ankles, leaning back in his chair and shaking his head. Because he could see that I was a fish being reeled in. ‘No, No I wouldn’t.’

  ‘Are you sure?’ Maxine said this as if she were trying to help me, trying to tell me I had given the wrong answer and should flip it.

  ‘That would be like prostituting myself for the country. So no.’ My shoe was tapping wildly against the white-tiled floor. I froze, and the absence of noise from it was too noticeable.

  ‘Even if it was the only way to save your life and the lives of hundreds of others?’

  I was flailing, trying to guess what she wanted to hear rather than saying what I thought. Which was the worst thing I could do. ‘If it was for the role. I would be happy to – to go as far as I needed to for the role.’
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br />   Maxine’s usual un-reactiveness was gone. She tilted her head, a questioning gesture of moral disgust, as if in disbelief that she’d heard me right. ‘What if you had a boyfriend?’

  ‘I would go – ahead – and tell him afterwards.’ I was bobbing my head up and down, trying to signal that I meant what I said, that I was trustworthy.

  Maxine’s girlfriend pretence had vanished. ‘So you’d cheat to get information.’

  I had wanted the job with MI5 more than I ever wanted anything, and I had got so far and so close after multiple tests of my situational judgement and core skills. But it was rushing away from me faster than water down a drain.

  Maxine shook her head. She said the most important thing she ever said to me. The thing I would replay all the time.

  ‘You know, a physical relationship is not acceptable. You are making yourself vulnerable. It’s all about using this.’ She almost smiled. She placed a hand on each side of her head without actually touching it. ‘Rather than that’ – she lowered her hands from her breasts to her hips, again without touching herself – ‘to get what you need.’

  There was nothing left for me to do. I knew the implications of what I had said, and that there was no recovering from it.

  ‘I think,’ said Maxine, ‘that this brings your interview to an end.’

  When I was very little, my grandmother often chose my bedtime stories from Hilaire Belloc’s Cautionary Tales for Children. Her favourite had a huge mouthful of a title. ‘MATILDA Who told Lies, and was Burned to Death.’ This was probably because my grandmother hated my mother, and my mother’s name was Matilda. It didn’t occur to my grandmother that having a heroine who was my mother’s namesake would only make me love her more.

  Plus, my grandmother could never convince me that Matilda was really dead. ‘It was a trick,’ I would say. ‘Matilda hid in a fireproof cellar but the story forgot to tell us.’ I didn’t confess to my grandmother that I often dreamed my parents were still alive, and it had all been a mistake. I never believed in the words ‘The End’ when my grandmother finished and snapped the book closed. I was convinced the characters continued on somewhere, and I would try to imagine the next phase of their lives for myself.